CONCERT REVIEW: DO YOU FEEL LOVE - NORTH AMERICAN TOUR 2026

The Do You Feel Loved North American Tour arrived in Toronto on Friday, March 6th — taking the city by storm with three bands, three distinct energies, and one crowd that refused to stand still. With a lineup led by Bad Omens and supporting acts Beartooth and President, the evening felt more like a statement about where the metalcore genre is heading rather than a typical tour stop.

President: A Cryptic Opening Statement 
 
The night began with opening act President, who wasted no time in igniting the room as fans could be heard screaming when they took the stage. President is a masked British band that formed in early 2025 and have become known for their anonymity — offering a sense of mystery and setting a cryptic tone to their music — with heavy focus on themes of mortality and politics. Having gained immediate attention because of their persona and captivating sound, the band has been dubbed one of the fastest-growing bands in metal with their first EP release “King Of Terrors” reaching over 50 million streams within the first six months.

The set kicked off with the Presidential 1952 Eisenhower campaign jingle playing as the frontman, “President,” took to a podium displaying a neon red double cross before launching into their first song of the night, “Fearless.” Their setlist featured their full-length EP along with their latest single, “Angel Wings.” While the performance felt interactive at points, as the frontman carried out the persona that caught global attention in the first place, they didn’t physically speak to the crowd as a means of keeping their identities concealed. Overall, the production could be described as quite minimalistic in comparison to the other two performances. There was no use of the larger digital screens, which, for attendees seated in the arena sections, created some visual limitations aside from the lighting production. However, I would imagine that this is a stylistic choice to maintain a level of mystery rather than due to technical limitations. Otherwise, the band sounded identical to their studio recordings — something that is often hard to come by with live performances — ultimately making up for the lack of visual accommodations. Their talent was undeniable, and I look forward to seeing where this next chapter takes them.
 
Setlist: 
- Fearless 
- Dionysus 
- Rage 
- Angel Wings 
- Conclave 
- Destroy Me 
- In the Name of the Father 
 
Beartooth: Chaos with Heart

If President lit the fuse, Beartooth detonated the charge. Formed in 2012, the band has carved out a major place in the metalcore scene thanks to their emotional transparency — pairing brutally honest lyrics with punishing heaviness. Much of their music draws focus to topics such as mental health and personal growth, that have long made their work deeply relatable to fans.

If you caught any of the headlines this week, you probably saw Beartooth making waves following the release of their latest single, “Free.” The track arrived alongside a music video that showcases frontman Caleb Shomo embracing a shift in aesthetic, teasing a new chapter for the band after signing with Fearless Records. The change sparked plenty of discussion online, with some fans criticizing the new aesthetic and others resorting to homophobic commentary. Rather than ignore it, Shomo seemed to channel that energy directly into the performance.

At one point during the set, he strutted across the stage wielding a handbag, unapologetically flipping off the crowd while belting out the lyrics — a defiant moment that made it clear he wasn’t interested in shrinking himself to meet expectations.

Throughout the set, Shomo commanded the stage with an infectious blend of intensity and sincerity, shifting seamlessly between raw screams and melodic, emotional hooks. Much of the band joined in vocally throughout the performance, adding backing vocals that gave many of the songs an even bigger, more communal punch. Songs from across Beartooth’s catalog landed like an adrenaline shot, their crushing breakdowns igniting waves of crowd surfers and circle pits.

The band also made use of the stage’s digital screens, which displayed a range of artistic graphics that pulsed and shifted alongside the music. Paired with dynamic lighting techniques, the visuals amplified the energy of the set and added another layer to the experience. Yet amid the chaos, there were moments of genuine connection. Shomo’s candid interactions and unmistakable authenticity reminded everyone why Beartooth’s music resonates so deeply: beneath the aggression lies vulnerability and resilience.

Setlist: 
- Might Love Myself 
- In Between 
- Doubt Me 
- ATTN. 
- Disease 
- The Lines 
- Free 
- Sunshine! 
- You Never Know 
- The Past Is Dead 
- Riptide 

Bad Omens: Dark, Cinematic Perfection 

The time had come for the long-anticipated headlining act — Bad Omens. When they finally took the stage, the atmosphere shifted dramatically. The lighting dimmed as thick fog filled the entirety of the stage. The show transformed into something closer to a theatrical production as strategic spotlights shone on frontman Noah Sebastian as he opened the set with one of the band’s newest singles “Specter.” Noah’s haunting vocals resembled that of a siren as he captivated everyone in the audience. He carried an undeniable presence, moving through the set with precision and emotional weight.

Rolling with Noah’s creative vision, the band and their production teams assembled a setlist structured around five “cassette tapes,” which appeared on the arena’s large digital screens alongside a series of emotional and cryptic videos. After “Specter” opened “Tape 1,” the band quickly began to pick up the pace with “Glass Houses” from their self-titled 2016 debut, fueling the crowd with a surge of energy and excitement.

What made the set remarkable wasn’t just the undeniable heaviness that shook the arena — it was the dynamic range. Hauntingly melodic moments gave way to crushing breakdowns that had everyone on their feet and headbanging along, creating an infectious, rollercoaster-like experience.

Beyond their commanding stage presence and musical fluidity, the band’s extensive production team curated a cinematic spectacle that complemented the band’s powerful dynamic. Many attendees could be heard afterward saying it was one of — if not the best — shows they had ever seen. From the massive digital screens and creative visuals to fog machines that blanketed the stage in clouds, artistically directed lasers and lighting, and even bursts from flame projectors, every element added to the experience. It truly was cinematic perfection that held fans captive from start to finish throughout Bad Omens’ 18-song setlist.

During the performance of “Just Pretend,” Noah instructed the crowd to light up the room with their phones and lighters. Looking around at the sea of lights — while everyone, myself included, sang along — sent chills down my spine.

The concert wrapped with “Impose,” but the night wasn’t quite over. As the band left the stage, the arena erupted into chants of “Dethrone,” with thousands of voices echoing throughout the venue in unison. The anticipation in the room was electric — fans stomping, clapping, and shouting the song’s name as they waited for the band to return.

When the band finally reappeared to launch into “Dethrone,” the crowd’s energy exploded. The already intense atmosphere reached its peak as fans screamed every lyric back toward the stage, circle pits reopened, and waves of headbanging rippled across the floor. It felt less like a simple encore and more like a final release of everything the crowd had been holding onto throughout the night — a chaotic, cathartic ending that sent the arena out on one last surge of adrenaline.

Setlist: 
Tape 1 
- Specter 
- Glass Houses 
- The Drain 
- The Death Of Peace Of Mind 
Tape 2 
- Dying To Love 
- Concrete Jungle 
- Nowhere To Go 
- Limits 
Tape 3 
- Artificial Suicide 
- V.A.N 
- Left For Good 
- Anything > Human 
- What Do You Want From Me? 
Tape 4 
- What It Cost 
- Like A Villain 
- Just Pretend 
Tape 5 
- Impose 
Encore 
- Dethrone 
 
Final Thoughts: 

Overall, the night felt like a perfect convergence of three bands that each bring something distinct to the modern metalcore scene. Having spent years listening to Bad Omens and Beartooth, while more recently getting invested in President’s sound, getting the opportunity to see them share the same stage — and deliver at such a high level — made the experience especially rewarding.

While President, Beartooth, and Bad Omens all operate within the same genre, each brought their own emotional perspective and performance style to the night. President ignited the crowd with intensity, Beartooth followed with raw vulnerability and defiant energy, and Bad Omens closed the evening with one of the best cinematic experiences I have ever had the pleasure of witnessing.

Together, the lineup complemented itself in all the right ways. Their shared heaviness created a cohesive atmosphere, while their individual approaches to storytelling, stage presence, and emotional connection gave the night a dynamic balance that kept the audience engaged from start to finish. It was a reminder that within metalcore’s aggressive exterior lies a powerful ability to connect, resonate, and leave a lasting impression long after the final note fades.