Soundgarden's Down on the Upside: Liturgy for a Dying Crown In hindsight, Down on the Upside feels inevitable. Not as a conclusion—but as an artifact
Emperor's Anthems to the Welkin at Dusk: Blackened Majesty in Full War-Stride Anthems to the Welkin at Dusk is not just an album—it is a ritual, a conquest, a testament.
Mercyful Fate’s 9: Satanic Velocity and the Sound of Final Judgment Mercyful Fate didn’t just go out with 9—they scorched the altar behind them.
Megadeth’s United Abominations: Thrash Reborn in the Age of War Megadeth didn’t just return with United Abominations—they stormed the gates.
Judas Priest’s Ram It Down: The Last Blast of the Metal Gods’ First Era Judas Priest didn’t just survive the '80s—they throttled it.
Morbid Angel’s Altars of Madness: The Gospel of Blasphemy Death metal didn’t begin with fire—it began with madness. And with Altars of Madness, Morbid Angel didn’t just break ground—they tore open the sky.
Morbid Angel’s Domination: The Slow March to Death Metal Supremacy Domination isn’t an album that begs for attention. It doesn’t explode—it envelops.
Testament’s The New Order: Precision Thrash with Prophetic Fury Thrash was never meant to be safe. Testament’s The New Order made sure it could also be smart.
Pantera’s Great Southern Trendkill: Chaos, Catharsis, and the Southern Soul The Great Southern Trendkill is Pantera’s most emotionally potent and thematically fearless album.
Hate’s Bellum Regiis: Discipline, Devotion, and the Darkness Within Bellum Regiis is more than just a metal album—it's a sermon delivered through fire and fury, steeped in blood, memory, and divine wrath.
Morbid Angel’s Blessed Are the Sick: Elegance in Evil, Precision in Chaos With Blessed Are the Sick, Morbid Angel didn’t just push the boundaries of death metal—they redrew them entirely.
Meshuggah’s Contradictions Collapse: Where Chaos Meets Calculation Contradictions Collapse may not be the Meshuggah album you listen to the most—but it’s the one that made everything else possible.
